COVER REVEAL - Laura Miller's Liberated

Cover Design 

Cover by Charlene Raddon of Cover-Ops 

BLURB:

This book is a biography of a woman I have loved and admired for the whole of my life. 

In December 1944 a German family of seven were captured and convicted of war crimes for harbouring Jews. 

I have known this story for most of my life. In the twilight of her years, this lady has decided that it is time for her story to be told, so it will be recorded for future generations. 

The woman and her sister were interned in Bergen-Belsen Concentration Camp until Liberation on 13 April 1945. 

This is a true account of her experience.

EXCERPT:

Hanover, Lower Saxony 

GERMANY 1939 

The house looked the same as every other dwelling in the street. Two story, attached, weathered stone. There were three bedrooms and a bathroom with indoor plumbing upstairs. An attic, where family treasures were hidden, could only be accessed through a removable panel in the ceiling of the main bedroom closet. Downstairs was a small but adequate dine in kitchen, a sitting room and a storeroom. Inside the storeroom was a staircase which led down to a basement. 

The house sat opposite the banks of the Leine River. It was home to Inga Albine and her family. She had one older sister, two older brothers and one younger brother. They loved summer when they could swim and play in the water. 

Inga’s father, Adaulfo, was a well-known and successful Banker. An unusual occupation for an Aryan as most Bankers were Jewish. 

Inga’s mother, Alisz, was a talented seamstress but with her husband being more than capable of providing for the family, sewing was a hobby rather than a chore. Although sewing gave her a great deal of joy, her first love was her family. She adored being with her children. 

Being only children, both Alisz and Adaulfo had always dreamed of having a large family. Their dream had come true. They had five healthy children, blonde haired, blue eyed. Perfect Aryans in Adolf Hitler’s eyes. Klaus, 18, Manfred 17, Elke 15, Inga 13 and Oskar 8. The girls and Oskar attended private school while the two older boys studied Engineering. They all played the violin and with the exception of Oskar, they played very well. Neighbours often praised Adaulfo and Alisz on how polite and well-mannered all five children were. 

The family were prominent in the local community. They never hesitated to help people who were less fortunate than themselves. 

 That was to be their downfall….. 

GENRE: 

 Non-Fiction, Historical, True Life

TEASERS

BIO:

Laura is a middle aged lady who was born in England. She has a compassionate nature, a great sense of humor and is a loyal friend. She also has an insatiable love of history. Growing up, Laura would spend hours with a member of her family who she loved dearly. Over the years she was told the story of how this amazing lady had suffered at the hands of the Gestapo and German SS. Laura had always had a strong desire to write. She felt a responsibility to record the story as a part of her family history. 

  Links: 

 Author Page: TBA 

Pre Order Links: Amazon US Amazon UK Amazon AU Amazon CA 

Email: millerlaura1955@gmail.com 

 Facebook Page

 Twitter

Author Chat Friday rehash

Ok, much like I began my first Author Chat with an apology, so too do I start this one. This time, due to unfortunate life circumstances, Delena Silverfox, who was scheduled to post today, will be unable to do so. And due to my own life circumstances, I lack time to write up an all new post. 

So I'm once again sharing my post on the importance of a good relationship between publisher and author. I'm also including snippet and blurb of The Wolf in the Neighborhood, which you should all know by now has been released and has cracked Naughty Nights Press's BestSelling list after only 4 days, and remains there still!

To get on with the post, I'd love once more to discuss the important relationship between author and publisher. Something many people don't think about, either because they aren't one of either, or they are but just don't see it as quite as important. But I can tell you know, neither would be able to succeed without the other. So it's very important that an author and publisher see eye to eye, and are both willing to meet in the middle when there is an issue. If the author has an issue with the contract TALK ABOUT IT to the publisher BEFORE signing. 

(Disclaimer: I might use a fair bit of capitalisation in this post, I'm just trying to really make a point here.)

Once the contract is signed, both author and publisher are bound to THAT EXACT contract. That's it. READ IT. Make sure you know what you're signing before you sign. 

So now we've signed the contract, and maybe time is dragging a little. Keep in mind something before you go off the deep end: publishers look after MULTIPLE authors, editors, artists, and numerous other staff. Things come up (and no, they don't HAVE to tell you unless it directly involves you! Some do, though, out of COURTESY), and so instead of wasting their time with your petty tantrums, let them use that time to sort out the issues! They're humans just like you and me. 

Now you're on to the editing process. They're not there to tell you what a great job you've done in writing the story. Their sole purpose: CLEANING IT UP. Any little error, big error, gaping plothole... any issue that might be in there, it's their job to point it out to you. If you don't like it, well that's pretty much too bad. If it's something, say, like capitalisation of a word that normally isn't, (for example, in certain scenes in my Wolf Smitten series, I capitalise Wolf when referring to Derek's Wolf), then don't get shitty if they request it changed. Just leave a comment stating that it's integral. If it's a legit grammatical error or plothole, or something that is just purely difficult to believe even given whatever strange circumstance your story might be set in, LISTEN TO THEM. They're trying to get YOUR story to the best state it can be so that the readers (who PAY YOU) don't feel that they've wasted their money. They aren't your friend, they are your editor. It is important to have a good working relationship and trust with them, yes, but FIRST AND FOREMOST: they are your EDITOR. LISTEN. 

Cover artist has now done the cover. Maybe it's not quite what you thought it would be. Or maybe there's a small detail not quite right. Again: BEFORE going off the deep end, consider: is it INTEGRAL? Maybe the eye colour is wrong. In which case send a CALM message saying "whoops, Character A's eyes are actually red, not purple. Great job though!" If it's way off, for example wrong city skyline, and maybe some readers wouldn't notice but a lot would, again, send a CALM message pointing it out. If it's not absolutely integral, however (maybe the hero is standing when you wanted him to be sitting? Or he's facing left with hand on hip, but you wanted him facing right with his arms crossed), then just LEAVE IT. THEY know what sells and what doesn't. TRUST them. 

All through the process, make sure you always take a breath and THINK before sending a message. Is it IMPORTANT? Can it wait? And ALWAYS make sure you're calm and respectful. Obviously if they aren't respectful when you genuinely have been, then you might get annoyed. But don't see that as an invitation to be disrespectful back. Maybe it was just a swamped day, and they didn't have time for the usual courtesies. You don't know. Unless there are serious red flags going up, then just bear with it. Publishing companies are looking after numerous other authors, all eagerly waiting to get their book out there. But they can't all go out at once. It just doesn't work like that. 

My main points are to READ the contract, SHOW and EARN respect, BREATHE, THINK and TRUST. Not something that is easy these days, but without any trust, society is just going to go to hell. I trusted, respected and, I believe, have earned respect by breathing and thinking and not being a tantrumy, impatient toddler. And now, I am about to see that all pay off with my debut release next week. I can tell you, it is worth every single second of waiting!

Excerpt of The Wolf in the Neighborhood, get your copy HERE. And feel free to leave a review, every little bit helps!

After a few more moments of sniping from him, Krissy finally convinced Derek that a nap might help him feel better, so she helped him off the couch. He pushed away her efforts to help him to her room, stating, “I sure didn’t need the help last night; I think I can make it today,” with a wink that made her giggle. She was astounded at how well she had taken this new aspect of him in her stride. She guessed it was just the exposure to werewolf novels and movies that had her desensitized.

Once they reached her room, she directed Derek to lie on his stomach so she could try to massage out some of the knots in his shoulders, tense from the double transformation. His breath groaned out of his chest as her hands – delicate yet strong – worked out some of the bigger kinks and she felt the vibrations through his back, making her recall his groans of pleasure from last night when she clawed his back.

She frowned in silent thought, wondering whether that had been man or beast enjoying that bit of pain, before she realized Derek had fallen asleep with one last groaning sigh. Krissy smiled as she watched his face, finally peaceful and frown-free.

Author Chat Friday with Phoenix Johnson

Firstly, I want to apologise for it being a little later than normal. Today ended up a little busier than intended, or expected. But I'm here now, posting up my first Author Chat. 

To lead in to my first chat, I'd love to share some very exciting news: The Wolf in the Neighborhood has a release date! That's right, Tuesday 15th January, it will go live for purchase from Naughty Nights Press (where it's already available for pre-order!), All Romance eBooks, Amazon, Smashwords, Barnes and Noble, Kobo... I'm sure there are a few other places it'll be available from, but right now they're the ones I can remember off the top of my head in this stinking hot weather. Gold Coast summer!

So as part of that excitement, about the release date, not the summer bit, I'd love to discuss the important relationship between author and publisher. Something many people don't think about, either because they aren't one of either, or they are but just don't see it as quite as important. But I can tell you know, neither would be able to succeed without the other. So it's very important that an author and publisher see eye to eye, and are both willing to meet in the middle when there is an issue. If the author has an issue with the contract TALK ABOUT IT to the publisher BEFORE signing. 

(Disclaimer: I might use a fair bit of capitalisation in this post, I'm just trying to really make a point here.)

Once the contract is signed, both author and publisher are bound to THAT EXACT contract. That's it. READ IT. Make sure you know what you're signing before you sign. 

So now we've signed the contract, and maybe time is dragging a little. Keep in mind something before you go off the deep end: publishers look after MULTIPLE authors, editors, artists, and numerous other staff. Things come up (and no, they don't HAVE to tell you unless it directly involves you! Some do, though, out of COURTESY), and so instead of wasting their time with your petty tantrums, let them use that time to sort out the issues! They're humans just like you and me. 

Now you're on to the editing process. They're not there to tell you what a great job you've done in writing the story. Their sole purpose: CLEANING IT UP. Any little error, big error, gaping plothole... any issue that might be in there, it's their job to point it out to you. If you don't like it, well that's pretty much too bad. If it's something, say, like capitalisation of a word that normally isn't, (for example, in certain scenes in my Wolf Smitten series, I capitalise Wolf when referring to Derek's Wolf), then don't get shitty if they request it changed. Just leave a comment stating that it's integral. If it's a legit grammatical error or plothole, or something that is just purely difficult to believe even given whatever strange circumstance your story might be set in, LISTEN TO THEM. They're trying to get YOUR story to the best state it can be so that the readers (who PAY YOU) don't feel that they've wasted their money. They aren't your friend, they are your editor. It is important to have a good working relationship and trust with them, yes, but FIRST AND FOREMOST: they are your EDITOR. LISTEN. 

Cover artist has now done the cover. Maybe it's not quite what you thought it would be. Or maybe there's a small detail not quite right. Again: BEFORE going off the deep end, consider: is it INTEGRAL? Maybe the eye colour is wrong. In which case send a CALM message saying "whoops, Character A's eyes are actually red, not purple. Great job though!" If it's way off, for example wrong city skyline, and maybe some readers wouldn't notice but a lot would, again, send a CALM message pointing it out. If it's not absolutely integral, however (maybe the hero is standing when you wanted him to be sitting? Or he's facing left with hand on hip, but you wanted him facing right with his arms crossed), then just LEAVE IT. THEY know what sells and what doesn't. TRUST them. 

All through the process, make sure you always take a breath and THINK before sending a message. Is it IMPORTANT? Can it wait? And ALWAYS make sure you're calm and respectful. Obviously if they aren't respectful when you genuinely have been, then you might get annoyed. But don't see that as an invitation to be disrespectful back. Maybe it was just a swamped day, and they didn't have time for the usual courtesies. You don't know. Unless there are serious red flags going up, then just bear with it. Publishing companies are looking after numerous other authors, all eagerly waiting to get their book out there. But they can't all go out at once. It just doesn't work like that. 

My main points are to READ the contract, SHOW and EARN respect, BREATHE, THINK and TRUST. Not something that is easy these days, but without any trust, society is just going to go to hell. I trusted, respected and, I believe, have earned respect by breathing and thinking and not being a tantrumy, impatient toddler. And now, I am about to see that all pay off with my debut release next week. I can tell you, it is worth every single second of waiting!

Excerpt of The Wolf in the Neighborhood, RELEASE DAY 15 JANUARY 2013 Pre-order HERE

After a few more moments of sniping from him, Krissy finally convinced Derek that a nap might help him feel better, so she helped him off the couch. He pushed away her efforts to help him to her room, stating, “I sure didn’t need the help last night; I think I can make it today,” with a wink that made her giggle. She was astounded at how well she had taken this new aspect of him in her stride. She guessed it was just the exposure to werewolf novels and movies that had her desensitized.

Once they reached her room, she directed Derek to lie on his stomach so she could try to massage out some of the knots in his shoulders, tense from the double transformation. His breath groaned out of his chest as her hands – delicate yet strong – worked out some of the bigger kinks and she felt the vibrations through his back, making her recall his groans of pleasure from last night when she clawed his back.

She frowned in silent thought, wondering whether that had been man or beast enjoying that bit of pain, before she realized Derek had fallen asleep with one last groaning sigh. Krissy smiled as she watched his face, finally peaceful and frown-free.